Always present in Melanie Boone is the celebration of nature, which she has held in her heart
since she was a small child growing up in Southern California. This love was nurtured by her
mother in countless visits made to the beach where the family would head straight for the tide
pools, or in the many camping trips where she and her three siblings went rock hunting and
looking for fossils. The sound of the rock polisher grinding away to perfect the treasures they
had found is a fond childhood memory.
Although Melanie is the only person in her family to become an artist, she says that her
mother had a flair and style in everything she did that could only be described as artistic. Her
architect father, too, was a very creative individual. But most unusual was her paternal Great
Grandfather, who although blind and deaf, grew prize flowers. She cherishes a photo of him
standing in front of his garden and keeps it prominently displayed in her home.
Melanie wanted to be an artist for as long as she could remember. At the age of six, she won
an art contest in Laguna Beach, and throughout her childhood, whenever she could make enough
money to buy painting supplies, she would indulge her passion.
As fate would have it, Melanie was tutored in grade school by a wonderful woman, Elsa
Salvison, for her dyslexia. But more importantly to Melanie, Elsa was a mosaic artist who
additionally invited Melanie into her home and shared her love of art and allowed her to work in
her home studio.
Melanie enjoyed her art classes in high school, but it was after viewing an art exhibit by
Edward Kienholz at the age of sixteen, Melanie gained the confidence to trust herself and follow
her own path. His "fearless art" was strong and powerful and awoke her to new possibilities that
she could explore. Interestingly, years later, Melanie took her then teenage daughter to an exhibit
by Kienholz, and her daughter experienced the same feelings her mother had felt so many years
earlier.
After high school, Melanie enrolled in Fullerton California Junior College where she was
introduced to pottery, a new medium for her, and she loved it. Never doubting that she would
become an artist, during the two years spent at Fullerton, she learned many techniques including
drawing, jewelry making, assemblage art and painting in every medium. Abstract art was and
remains a passion for Melanie.
School completed and staunchly determined to find a career in art, Melanie made a gutsy
move, working in Watts at a production art studio. She was now also a single mother making
her career even more important. Although the working conditions were difficult, she turned what
could have been a negative experience into a positive one and learned many more techniques and
mastered the process of silk screening (fine art editions of serigraphs painted with about thirty
colors limited to editions of one-hundred.) The intense pressure to complete fifty pieces a week
caused her to rely on her natural ability for organization and design. It was not long until she was
able to move on to a better studio that produced higher quality work, and again, Melanie
continued to grow in her artistic abilities. Creating the color, silk screens, she was now able to
draw the designs and frequently used the beautiful flowers that she loves so much.
Melanie's reputation was growing. She was active in performance art. And, she was teaching
workshops in various colleges including UCLA. She and a friend started a studio together where
they could be assured that the quality of the work going out would be very high. Those years
were another high growth period for her.
Because an opportunity to teach children was presented to Melanie, she and her daughter left
Los Angeles to move to Yosemite for four years. Describing the time as wonderful, in addition to
teaching art to children which she found very rewarding, she continued working on silk
screening.
Eventually, all of the years Melanie had spent working with silk screens began to take a toll
on her health due to the toxic inks used, and she had to make a change. Rosenbaum Fine Art had
approached her, and with another leap of faith, she moved back to California and began anew. It
was perfect, and she says Rosenbaum has always been very nurturing and supportive and open to
new ideas. It has a family feeling and was a "lifesaver" for her. Because of this association, she
is able to live where she wants, and a few years ago, she chose to move to the Northwest in a
rural community that has many other artists living there. She's now been with Rosenbaum for
twenty years.
Although Melanie can work in any medium, she currently paints multi-media pieces. Always
a collector of things found in nature, she never lacks for items to blend into her work such as
feathers or bone fragments. Deeply enamored by Asian art and history, Melanie incorporates this
exotic look into her art, but she enjoys mixing cultures and may add a piece of fabric from Bahli
onto a drawing that appears to have a traditional Chinese look. Gold leaf is another favorite
enhancement used in her collages. She stains everything causing an antiqued look. And, at
present, all of her paintings have borders that are made from hand dyed silks that she dyes
herself.
Melanie has a list of artists she deeply admires, one of those being her thirty-two year old
daughter "who is a deeply talented and a wonderful artist," she says. At this point, Melanie's life
and art have melded together so completely that it is not possible to separate them. Collecting
antique kimonos that are displayed in her home, and hiking to enjoy nature and find more pieces
for her art work are two hobbies she enjoys. In the future, she would love to have the opportunity
to visit Japan and see and learn more about wood block printing, and also the history of the
kimono. Melanie says that "art is a calling and she had no choice but to answer." With talent,
determination, and dignity, Melanie has answered her calling beautifully, leaving behind a wealth
of art work that can be enjoyed by everyone with the pleasant knowledge that there will be more
to follow.